More Brendel this weekend, this time courtesy of the Cheltenham Music Festival. Possibly my favourite moment from the pianist's fascinating lecture-recital exploring character in Beethoven's piano sonatas came when he turned to the Waldstein Sonata. The piece is also known in French as 'L'aurore', meaning the dawn. One misguided German critic, Brendel recounted, misheard this nickname, calling it instead 'L'horror'. Cue Brendel's performance of the opening, with its pp repeated C major quavers, with his teeth bared, chattering in time with the repetitions like a clanky skeleton.
Here's Brendel playing the third movement of the Waldstein (I couldn't find the first, or the skeleton impression, I'm afraid).
